filmed 9 Feb 2016, enjoy!
Director, Cinematographer, Editor: Alessandra Nicole
Music: Belle Nuit, Offenbach
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Follow Alessandra on Instagram @Alessandra_Official and Twitter @novembergrlfoto
http://www.AlessandraNicole.com
filmed 9 Feb 2016, enjoy!
Director, Cinematographer, Editor: Alessandra Nicole
Music: Belle Nuit, Offenbach
—
Follow Alessandra on Instagram @Alessandra_Official and Twitter @novembergrlfoto
http://www.AlessandraNicole.com
So, this morning I got up at 4am to do something I’ve done periodically since I was studying film and acting in college. I worked as a background actor (as in, “extra”). In my particular friend and colleague circle this is certainly nothing groundbreaking so I’m not posting this blog for them. I’m posting it for those who haven’t ever done anything like this before or who have and still find it as cool and interesting as I do.
This particular work was for the new Harrison Ford / Gary Oldman thriller so far titled Paranoia (http://www.imdb.com/title/tt1413495/). It was the first day of shooting and it featured Aussie Liam Hemsworth (Hunger Games), a few supporting cast members, and about 400 of us, both union and non-union. It was the biggest extra day scheduled so they wanted to make great use of us while they had us all there.
After conferring with wardrobe, hair and makeup and hanging out in holding for a few hours, we began filming at 830am and didn’t wrap the day’s shoot until 630pm. It was an outdoor day for the majority of us, thank goodness for mild temperatures and plenty of fluffy white clouds to shield us from long bouts of direct sunlight. We worked hard, had a blast, and made new friends. Here are a few snapshots that I sniped throughout the day.
an intersection in Philadelphia is turned into NYC for the day. This included fake NJ and NY license plates for cars, fake street signs reading “44th St”, NYPD uniforms and cars (see background), trash cans reading “Keep New York City Clean”, fake hot dog carts, newspapers, cabs, and a fake MTA bus stop amongst other things.
sweet camera on a dolly and track that I watched production assistants assemble as fast as a pit crew on the auto racing circuit
Director Robert Luketic watches the feed from the main camera and revealed that he “stole” the idea for the particular establishing shot from David Fincher and his 1997 film “The Game”.